Works Cited

Arminen, Ilkka(2012) Mobile Presence and Intimacy. Online: http://www.sciencedirect.com/science/article/pii/S0378216608002269 (accessed: 9th December 2012.)

British Arts Council (2012) Adrian Howells. Online: www.britishcouncil.org/arts-performanceinprofile-2010-adrian-howells.htm (accessed: 21st October 2012)

Brooks Peter (2008) The Empty Space. Penguin Books Ltd: London

Cardiff, Janet (2012) Her Long Black Hair. Online: www.cardiffmiller.com (accessed 4th December 2012)

Carlson, Marvin (2004) Performance: A Critical Introduction. London: Routledge.

Cotter, Holland (2010) Performance Art Preserved, in the Flesh. Online: www.nytimes.com/2010/03/12/arts/design/12abromovic.html?pagewanted=all (accessed 21 October 2012).

Fisher, Helen (2009) How to Build Intimacy in your Relationships. Online: www.oprah.com/relationships/Building-Intimacy-Gender-Differences-in-Intimacy > ( accessed on 1st November 2012)

Franko B, 2008, The Franko B Archive. Online: http://www.bris.ac.uk/theatrecollection/liveart/liveart_FrankoB.html> (accessed on 14th October 2012)

Fritscher, Lisa (2012) Psychology of Fear. Online: http://phobias.about.com/od/introductiontophobias/a/psychologyfear.htm (accessed on 9th December 12)

Giannachi, Gabriella (2004) Virtual Theatres: an introduction, Oxon: Routelage

Goldberg, RoseLee (2001) Performance Art: From Futurism to the Present, London: Thames and Hudson Ltd.

Lévinas, Emmanuel, Kearney, Richard. (N.D) Dialogue with Emmanuel Lévinas. In: R. A. Cohen ed. 1986. Face to Face with Lévinas, Albany: State University of New York Press, Ch. 1

Long: Abramović, Marina (2012) Audioguide interview: Rhythm 0. MoMa Online: www.moma.org/explore/multimedia/audios/190/1972 (accessed: 3rd November 2012)

Mulvey, Laura (1975) Visual Pleasure and Narative Cinema. Online: http://www.jahsonic.com/VPNC.html (acessed: 9th December 2012)

Papacharissi, Zizi (2011) Without you I’m nothing: Performances of self on Twitter. International Journal of Communication 6 2012), 1989–2006. Online: http://ijoc.org/ojs/index.php/ijoc/article/viewFile/1484/775 (accessed: 2nd December 2012)

Petralia, Peter Salvatore (2010) ‘Headspace: Architectural Space in the Brain’, Contemporary Theatre Review, 20: 1, 96-108.

Proto-type Theater, (2012) The Company  Online: http://proto-type.org/category/company/ (accessed on 15th October 2012)

Richards, Mary (2010) Marina Abramović, Abingdon: Routledge.

Sandford, M.R (1995) Happenings and Other Acts, London:Routledge.

Schechner, R (2002) Performance Studies: An Introduction. London:Routledge.

Schwyzer, Elizabeth (2007) Santa Barbara Independent: I Am the Medium Brings Live Art to UCSB, Online: http://www.independent.com/news/2007/oct/25/emi-am-mediumem-brings-live-art-ucsb/(accessed on 14 October 2012)

Speakman, Duncan, (2012) As If It Were the Last Time. Online: www.duncanspeakman.net (accessed: 4th December 2012)

Sprinkle, Annie (2012) A Public Cervix Announcement. Online: http://anniesprinkle.org/writings-musings/a-public-cervix-anouncement/ (accessed: 6th December 2012)

Stelarc, Extended-Body: Interview with Stelarc, Online: http://www.stanford.edu/dept/HPS/stelarc/a29-extended_body.html (Accessed 8th December 2012)

The Paper Cinema (2012) About the Show, Online: http://thepapercinema.com/shows-2/about-the-show/ (accessed: 11th November 2012.)

 

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  3. Bayu Ocktaviandy Hermansyah says:

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